Doing some renovations wiTHin my Site. If you find someTHing not working, or missing, or jus', not right, feel free to ask me about it

(Not new news here, but still… might be new to some of you <=)

(Jan 28 2009)

It’s been awhile since the production trio known as the Matrix worked on such a highly anticipated album. But that will change this spring when Tokio Hotel release the follow-up to their English language breakthrough album, Scream. The yet-untitled album is being co-produced by the pop songwriters/producers best known for their work with Avril Lavigne, Christina Aguilera, Britney Spears and Korn.

“We’re in the middle of working on the Tokio Hotel record right now,” Matrix member Lauren Christy said Tuesday, the same day the collective’s long-lost album featuring a then-unknown singer by the name of Katy Perry dropped on iTunes. “We’ve done eight songs for that record … and I love the singer’s voice and the fact that they play their own instruments. They’re a real band, and they’re very dark. They’re this almost-perfect, gorgeous-looking band but with music that’s very dark.”

So far, Christy said the German group has laid down tracks at two different Los Angeles studios with the Matrix and with their own in-house production team over the past few months, with a mix that includes very “strong, anthem-y” songs with a dark edge and “lots of guitars.”

Fellow Matrix producer Scott Spock said the sessions have been one of the most exciting and enjoyable of his career. “We’ve worked with so many different people, and when you get into a room where magic just starts happening … it makes everything really fun,” he said, comparing the spark to the one he felt working with Lavigne and Korn. “It’s the same experience with Tokio Hotel. … They are all really talented and can write and play, and they’re the real deal.”

Spock said he can’t recall the last time he worked with a singer who had as much star quality as TH leader Bill Kaulitz. “The music business really needs Tokio Hotel right now,” Spock said. “They’re reviving that image of what a rock star is. … Their writing has developed massively, and we’re experimenting a bit with some Depeche Mode influence. … It doesn’t sound like anything else out there right now. People don’t want to hear a bunch of 80’s and Auto-Tuned vocals. They want the real stuff.”

Christy added that one of the other things she’s grown to love about the rockers is their strong sense of identity, one that seems impervious to the Matrix’s tendency toward a big, bright pop sound. “The band is so aware of what they are, and when you have an artist that’s that strong, you can’t pull them and homogenize them and make them sound like they’re not. They’re very opinionated about what they want.”

That strong sense of self has made it easier to work with the guys as they try to introduce some more American rock styles to their sound, Spock said, while working hard not to lose that unique essence that has made them worldwide stars already. “The push and pull between the camps has been great,” he said. “And I think the album will be great because of that. I’m going to look back on this in 10 years and say, ‘Wow, I worked with Tokio Hotel!’ ”

Christy said TH came to the Matrix because they really liked the ballad they’d co-written with Avril Lavigne, “I’m With You,” as well as their production on Korn’s See You on the Other Side album.

“They like the sadness of that song and were really touched by it,” she said of the Lavigne tune. “They like the Korn records too, but they said, ‘We wouldn’t do that, but it’s really good. But it’s not truthful to us as a band.’ So far, the Matrix have been co-writing all the songs they’ve worked on with TH for the album, and at press time, Scott said they had completed work on six of those tunes.

The album is tentatively due in late spring, according to Christy; a spokesperson for TH’s label could not be reached for comment at press time. “Their confidence in knowing exactly who they are and what they’re doing, given how youthful they are, is amazing,” Spock said. “They definitely bring the dark side of the pop song, not like a Lamb of God record but with rock influences that will cross over to so many different kids … and even some adults.”

By Gil Kaufman

 

Visit MTV’s TH pg at: http://www.mtv.com/music/artist/tokio_hotel/artist.jhtml

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Gotta Luv ’em!

Another New T Design
This black slim-fit T-shirt features a white, gold and green photo image of the band in an alleyway. The Tokio Hotel logo appears below in gold glitter and their moniker above in green. 100% pre-shrunk cotton. Wash cold. Dry low. Imported.

For all of the amaizing Tokio Hotel fashion that Hot Topic offers, see: http://search.hottopic.com/search?p=Q&ts=custom&lbc=hottopic&w=Tokio+Hotel

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Chicago, IL 

House Of Blues

Sat, 18 Apr 2009 6:00 PM

Don’t miss your chance to see Tokio Hotel!

Order your Tokio Hotel tickets here today!

http://www.showtimetickets.com/concerts/rock-pop/tokio-hotel.jsp

 

Looks real, but still TH have not officailly confirmed THis.

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German band Tokio Hotel whip up foreign frenzy
(2008)
 
 
 
Four fresh-faced rockers are transforming the fringe esoteric image of German pop into the new global teenybopper cool. Tokio Hotel — a foursome whose origins date back to 2001 — are fronted by spiky-haired singer Bill Kaulitz, 19. His identical twin brother, Tom, is the band’s guitarist.

Together with their slightly older rhythm section, Georg Listing and Gustav Schaefer, the brothers have sold almost 3 million CDs and DVDs, packing venues throughout Europe.

Girls in such countries as Poland and France are learning German in order to understand Bill Kaulitz’s lyrics of teenage disaffection. In Israel, where editorial writers worried about the historical ramifications, tens of thousands of fans signed a petition to get Tokio Hotel to play in Tel Aviv last year, and the band obliged — to a huge open-air crowd.

In the United States, the band’s English-language album “Scream” peaked at No. 39 on the Billboard 200, and they won the fan-voted best new artist award at the MTV Video Music Awards in Hollywood earlier this month. The Los Angeles Times described Tokio Hotel as a “young emo-glam outfit” who sound like “the Jonas Brothers covering Guns N’ Roses.”

“Bill Kaulitz, with his androgynous, vulnerable and yet energy-laden persona, is something of an emotional anchor in the sea of teenage angst for his fans,” Tost adds.

One of the main members of the Tokio team, producer and co-writer David Jost, describes meeting Bill Kaulitz for the first time as a life-changing event. “I was 100% certain they were going to break the roof in Germany,” he said. “I would have bet the whole German music and media industry on this. But of course I never expected this thing to take off internationally.”

The U.S. fan base was built mostly via the Tokios’ YouTube channel, updated with professionally made and English-subtitled videos at least once a week. The intro to the channel declares triumphantly, “It’s only a matter of time before the hysteria follows them stateside.”

“A band from Germany getting big all over Europe — with the chance of even more — that happens every 20 years, maximum,” Jost says.

Reuters/Hollywood Reporter

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