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Potato soup with Angela Merkel – Bill Kaulitz in an interview

Teen idol, style icon and Tokio Hotel front singer – no one was more appropriate than Bill Kaulitz
to present the MADE FOR MORE AWARD in the Creator category.
In an interview with Nikeata Thomspon,
he talks about his roots, his new home
and why Angela Merkel cares about him.

Tokio Hotel? – “We are a family

Nikeata Thompson: What’s more about you?

Bill Kaulitz: I do all kinds of things, but besides my music career, fashion has always been my huge passion. As a young boy, I started skating and designing things myself. Of course, I had no money to buy clothes. I’m always in such a cheap discounter, I have bought three or four T-shirts and have made new ones. I also love animals and have a little dog. Stitch, an English Bulldog who is now five months old. It was really hard to leave him now and give to the dog sitter. I would say that’s my mores.

I think you are much more. But you’re a humble person, that’s a virtue that’s not that bad.

Bill: I think the more you have achieved in life, the more relaxed you have to be, because then you actually have no more stress. It often happened to me that I really loved and loved artists. When I met them then, I often found the person totally shitty. That breaks everything and after that I could not hear the songs anymore or go to the concerts.

Tom and me and the other two guys are very important to know where we’re from. We grew up together – we are a family on the go. I think that’s very important, because you always think that at some point everything must break, because everyone is looking at the lead singer.

The fact that you are like a family, that is quite relaxed with you.

Bill: Yes, above all, each of us has found his role. For example, when I’m on a single cover, everyone writes, “Where are the others? The poor, they are always left out! “I have to tell you, they are happy, if they are not on top and do not have to take a photo shoot. I’ve always loved being on stage and being a performer. Georg and Gustav are happy, if nobody looks at them, they can hide somewhere behind the lights and just play their instruments. They love that! Tom, for example, loves to be in the studio and produce the stuff. Everyone has their own thing and that has developed quite normally.”.

You can tell that also with you, and that’s nice. I believe that your brother and you moved to L.A. because you can be freer there.

Bill: Total. At some point in our career, where I could not see myself anymore, I could not hear it anymore. It was all too much for me. There was far too little about what we do and too much about our private lives. That’s a bit out of control at the time. I wanted to run free again down the street and do normal things. We had such an isolated life, we were always in hotel rooms, we could not go out anywhere and were no longer part of life. You always run with your head down, that nobody talks to. You are like an isolated alien. I love people and I love to be with people. I really wanted that again. L.A. has really saved us in many ways. To be free, to be creative, to get pleasure for the whole thing again.

Did your parents always stand behind the whole?

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This headline is not enough to explain how cool Tokio Hotel was in our interview

Please all together: * Schreeeeei * 😳 Why? We met no one less than the Boys of Tokio Hotel for you! And they traveled to the capital through the monsoon to talk to Bill, and Tom Kaulitz (29) about everything they wanted to know about the two most popular German boys. Insights into the new music, Deeptalk and melancholy to party nights with Paris Hilton and potato soup dates with Angela Merkel remained in our exclusive interview really nothing unanswered (even if I was a little warm in the middle of the two …).

Are you an hour 1 hardcore fan? And remember Bill‘s Smokey Eyes and Tom‘s dreadlocks? Gustav, and George adorned the wall behind your bed as a poster in teenage times? Then you are exactly right here. The hottest tea of the hottest band twins is now being spilled for you.
Ready? Set, Go! 🔥

Bill und Tom Kaulitz im exklusiven trèsCLICK-Talk

trèsCLICK: I was sweet 8 years old when I saw “Through the Monsoon” 2005 for the first time on VIVA on TV – and I know VERY exactly how cool I found the song even then! Can you even listen to yourself or is it hanging out of your ears? 😆

Bill: Haha, we really like to play it! Of course, now some notes lower than before. 😂 I was 12 or 13 when I recorded the song – and somehow it has always been there since then. If I hear it that way now, it feels like a different band. But I still love the song, the fans too, and playing it has always been a very special moment.

Tom: The only hurdle is to bring a common thread to the concert so that everything looks consistent. Of course, on the tour (more about that right now) we’ll be playing new tracks too, and combining that with “Through the Monsoon” is of course tricky.

Bill: On the other hand, a lot of artists play totally fancy, new versions of their old hits and that’s not cool at all. You simply want to hear the original as a fan! When you go to Britney’s concert, you do not want a funky dance remix of “Baby One More Time.”

TC: Do you sometimes look back to old band times and think “WTF, what did we just think ?!


Berlin & Hamburg

Band Photos

“Tokio Hotel shoot! Unbelievably exciting filming in Berlin & Hamburg for the new Docu! Unbelievable what stories the boys tell. More in the documentary soon. We are excited! Very sympathetic, charismatic, creative types!” ~ Clemens Bittner (Filmmaker)

Tom's Photos Twin Photos Bill's Photos


Dandy Diary ~ What if? – Questions to Bill Kaulitz
(audio snippets @ post’s end)

I stand on my seat, I jump, do not jump, but can sing along, scream. Everyone is shouting now and Bill with us. We, that’s about 10000 at the concert here and now is a time to memorize song lyrics from CD booklets and bravo. Scream! is our rallying cry, was my wake up call and the end of my childhood, by-monsoon singing in the darkened room with disco ball and blue neon tube the beginning of everything else.

It’s a Sunday in 2018, Tokio Hotel is giving a concert in Berlin, before that I meet Bill for an interview. We’ll talk about his collection and a little bit about the past, at least not about his brother and Heidi Klum, why? He will tell me that he does not think much about this earlier. On the other hand, I can not help considering the situation in contrast to the memories of my first Tokio Hotel concert and to experience at all. I have the shirt with me that I bought on 27.4.2007 in the Leipzig Arena. Location and date are on the back. It was the room tour, I was 11 and there with my dad, sitting on the couch to the right of the stage. These were the concessions made to parental concerns over the newspaper reports of collapsing teens.

These teens are all gone, but they are still there. I get a bit nervous as I walk past the long line of pending, or sitting there for some time, sitting fans. The front is broken down, there is a SCREAM, ROOM483 and KINGS OF SUBURBIA entrance. I know what it’s all about after I’ve passed the PRESS entrance. I’m told that there are different price levels of tickets and you can, for example, with a Scream Upgrade for the double ticket price 15min. in front of the others may be allowed to then possibly 1.5m further forward.

But now the hall is empty, except for some fog and purple light and some scattered crew members. You take us up a flight of stairs to the backstage and then you are always surprised by the desolation of such back rooms, which are so dull because they are so hoping for so much, interpreted so much into the rooms behind the Doors that remain closed to the normal visitor. Here you could hardly be further from Band room romance, groupie escapades or intoxicants. Everything is light and almost clinically clean and white. We walk through a corridor, in the adjoining room you can catch a glimpse of the entire band standing there lost between all the Meet & Greets, fan sound checks and photo sessions accompanying the concert, opening the door to those who are ready to go numbers.

We are led into the room next door. Here are 2 couches, 2 bottles of water on a table and a circle of chairs that reminds strangely of a seminar or kindergarten and that has obviously happened here too, just before. In the corner on another table gifts: a handwritten letter, a purple orchid and some slightly deranged plastic bags, maybe not so much has changed. At least that’s reminiscent of the Bravo photos you have in mind. In front of it is a half-empty bottle of Jack Daniels that does not fit in here and looks like it’s left over from another band. Maybe by Rammstein, whose oversized framed poster hangs on the wall.

Aah nice and cool here” – says Bill as he enters the room after a few minutes of waiting.
He wears blue Nike VaporMax Plus, a green shirt from Champion, a red paisley bandana knotted around his neck and matching silver glasses with red lenses. When he sits down after greeting everyone, he first has to pull up the bottom of his ultra destroyed jeans. Although, as he reports, this is his tenth meeting today, he is very alert and open. He talks and laughs a lot. His whole behavior, that the conversation makes pleasant and less nervous, is a mixture of East German directness and LA Feel-good logic.
That seems to be the key to enduring the hustle and bustle. On a day like today, he has only an hour to spare and now has time to tell me that he is always nervous before the show, even after all these years.

Dandy Diary: Are you going to be on stage like that later?
No, there are fixed stage costumes, so I do not have to worry every time, that’s relaxed. But the hectic is, I have 30 seconds in the meantime only to change and then dragging around 30 people around me and all at the same time have to remove and put on. The idea of the whole show is that we are landing on the stage with our dream machine so ufomäßig and that’s why we are all in the captain’s look. Actually, I’m the captain and the others are my assistants. And everyone has space suits on in the beginning and the guys keep that up all the time and I think I change the outfit 4 times.

Dandy Diary: Do you think about the costumes yourself?
Yeah, so that’s always the nicest part for me on such a show that I can do the outfits. This time I did the outfits for the boys too. I am working with a designer from Berlin. Mostly it’s like I come up with 20 ideas and then we make a huge mood-board and then I show her what I imagine and she tells me what works and what does not. But I can actually skate a bit myself and something like that. So that’s my passion, I could never give it away and tell someone: go ahead!

Dandy Diary: You also designed your merch yourself. In the present time of the Logo-mania you can also wear band shirts outside of bed and gym. Do you wear this privately?
I always have to watch a bit, because sometimes you want to be incognito and we all carry our merchandise all day and I think that looks really stupid, if you sometimes have Tokio Hotel on it. But the stuff is totally awesome, we love them all privately and we put them all on and the whole crew runs around with them.

Dandy Diary: If you say you designed the collection. What does that mean? How do you proceed?
We first had blanks like in the past, where we simply printed the motifs and the stuff is done. Then I started with the sweater, I made this hoodie myself, because I thought there was no hot stuff. So I started picking out the fabrics and a cut and then everyone loved this hoodie so much that we thought we could not do a normal merch, we have to do it all by ourselves. And then I thought that’s right, that must be a bit more expensive, of course you can not offer that at the same prices. Then I got in completely.
I’m doing this with a Berlin company now, they’re doing the 032c stuff as well. Marie and I realized this at some point because we ran into each other in the office. In 2-3 weeks now come again 5 parts. I do not want to work in collections, but I just always want to add parts. So it should not be a standstill, now I’m just too much break

Dandy Diary: Which things are coming?